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The British Crown Jewels Exhibition
created by
Royal Exhibitions
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The
Exhibition in pictures
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The exhibition displays the regalia worn by or presented to
the Sovereign during the coronation ceremony.
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The Exhibition also shows enlargement of famous paintings
and tapestry that depict the life at the Tower of London.
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Yeomen warders or more commonly
referred to as Beefeaters guard the Crown jewels exhibition
created by Royal Exhibitions.
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A curator accompanies the
collection and is available to talk with the media and to give
tours to the public.
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Activity centers and
activities can be added to the exhibitions to provide hands on experience for
young children.
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The axe and the block has
always been a big success with teenagers.
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Signage is an important part of the exhibition.
We can make some recommendations.
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Positive Feedback encourage us
to continue developing exhibitions.
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MORE ABOUT THE BRITISH CROWN JEWELS
EXHIBITION CREATED BY ROYAL EXHIBITIONS
By British
Law, the originals of the crown jewels and implements of State cannot
leave England and are displayed in the Tower of London. The
British Crown Jewels Exhibition created by Royal Exhibitions is
internationally recognized as the largest and most authentic
representation of Royal Regalia. The museum quality collection
is a tribute to 900 years of British history and to the master
craftsmen from Royal Exhibitons that have created and completed this exciting collection.
The object of
this collection is to show in three dimension what we are used to see
in books and to share our interest in craftsmanship and in
history. There is no diamond in the collection.
However, we tried to make this collection as authentic as possible in
order for visitors to enjoy the objects. In addition, the
written information as well as the film that accompany the exhibition
make the exhibition very educational. Even for the
visitors who had the chance to see the originals (or are expected to
see the originals), the exhibition is very interesting as visitors do
not have to worry about security and can spend as much time as they
want to look at each object and if they so desire they can take
pictures ( note: film, or pictures cannot be taken for
commercial purpose unless authorized). We often have the
following comment from people who have seen the originals in the Tower
of London: " Even so, I have seen the originals in the Tower of
London, it is the first time that I can really look at the
jewels. The beefeaters kept asking the public to please move
on.
The collection
required over three years to construct and
assemble. Our museum restorers, goldsmith, jewelers and
other master
craftsmen worked to ensure that each objects was entirely
handmade and finished using traditional techniques. Great care
was given to each piece to preserve their intricate detail and
beauty. Genuine precious and semi-stones have been included
wherever possible. All gold is of a 24 carat gold to ensure
perfection. There is no diamond. These have been
substituted by crystals.
An experienced
and well-informed curator accompanies the exhibition and is available for media appearances and to give tours to schools or other
groups. The accompanying video takes
the visitors inside the Tower of London.
The exhibition
is self-contained consisting of over 40 pieces with display
cases. Signage inside and outside the display cases
provides additional information on each of the objects, British
history and craftsmanship. The exhibition includes the regalia worn or presented to
the Sovereign during the coronation ceremony, implements of State as well as paintings
depicting the life in the Tower of London through time.
The space
required is between 2,000 and 6,000 square feet depending on layout
and objects displayed. On location, we reserve the right to
limit the number of items displayed as most place do not have enough
space to display all the object of the collection. We believe it
is better to limit the number of objects displayed in order to make
the exhibition inviting to the public. If a sponsor desires it,
we can show the exhibition in three parts: 1) Object from
the coronation ceremony; 2) Painting and tapestry depicting the
history of the Tower of London and 3) Objects used for Maundy
Thursday.
Included in the collection
Yeomen warders or Beefeaters
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The yeomen warders guard
and care for the Tower and the Royal Regalia. Their work is both
functional and ceremonial. They form a ceremonial guard for the
Monarch. Their uniform, comprised of a working uniform and a dress
uniform for ceremonial occasions has hardly changed since the days of
Elizabeth I.
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Originally Beefeater was a derogatory term used by
British sailors about the tower guards. Apparently they were jealous
as their diet was notoriously bad and the portliness and high color of
these yeomen, was due to their daily ration of ale and beef.
In addition to mannequins, several costumes can be
made available to be worn for the opening ceremony.
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Head Chopping Block and Axe
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(recreation: wood and metal) |
Certainly nothing can be as descriptive of the Tower
of London and its past as the Royal Lockup, than these two items. It
conjures up images to most people of Henry VIII’s poor wives being
beheaded, one by one.
There were in fact two sites of execution at the
Tower of London: Tower Hill and Tower Green. This latter site was
where Anne Boleyn and Katherine Howard were dispatched, and
subsequently buried within the church. The site on Tower Hill was used
for public executions of traitors and others. It was last used in 1747
at the public execution of Simon Fraser, Lord Lovat, for his part in
the affair of 1745 when the Stuarts tried for the last time to retake
the throne.
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The swords of Justice
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(recreation: brass gold plated) |
These three seemingly identical swords were made for
the coronation of King Charles II in 1661. They were given new hilts
for the coronation of King
Three swords are borne before
the Sovereign at a coronation. They are the Sword of Spiritual
Justice, the Sword of Temporal Justice, and Curtana, the Sword of
Mercy. This last sword had its blade broken about 15 cm from the
point. The name Curtana is derived from the name of the sword of Ogier
the Dane, who attempted to kill the son of Charlemagne in revenge for
the loss of his son. When he struck the youth the point of his sword
is said to have been broken by heaven's command to show mercy.
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St. Edward's Staff
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(recreation: brass gold plated) |
Made in 1661 for Charles II, it retains its ancient
name and is used only in the coronation procession. The staff is made
of gold and is surmounted by an orb and cross. In early times it was
known as the Rod of Justice and Equity; the present staff is a replica
of the ancient one. It is intended to be used in walking and is shod
with a spike of steel like an alpenstock.
The original staff was said to have contained a
fragment of the True Cross. The emblems are intended to guide the
King's footsteps in the way he should go. In previous times, the
sceptre, wand, or rod implied a state of beatitude, present or to
come. Legend has it that the staff belonged to King Edward the
Confessor, who died in 1066. It was removed from his grave when his
tomb was opened after have been made a Saint.
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The Golden Ampulla and the Anointing
Spoon
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(recreation brass gold plated
pearls)
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Probably the oldest items of Royal Regalia and
certainly the most symbolic. The 17th century ampulla, a hollow gold
eagle whose head unscrews and is of a much earlier date than the body
(it has 14th century screw thread), contains the holy oil used in the
anointing of the monarch at their coronation.
The anointing spoon, of silver gilt,
is believed to date from the 12th century and there is some evidence
that it was used at the coronation of King John in 1199. It is the
oldest piece of the Regalia. Again the bowl of the spoon and the
handle appear to have been made at two different periods (the handle
is about 60 years older than the bowl). The handle is set with four
fresh-water pearls.
Holy oil is poured from the Ampulla into the
anointing spoon and the Sovereign is touched on the hands, breast, and
the crown of the head. This is the most spiritual part of the ceremony
and represents the confirmation of the peoples’ choice.
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The Jeweled State Sword
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(recreation: gold plated,
precious, semiprecious or colored stones, crystals, no diamonds) |
The most elaborate and brilliant of
the various swords, this sword was made in 1820 for George IV. It is
considered to be the world's most valuable sword. In the coronation
service, the sword is delivered to the Sovereign (a King will wear it
briefly, a Queen will merely handle it). It is then offered upon the
altar and redeemed for a traditional sum of 100 shillings and carried
before the Sovereign.
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The Armills
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(recreation:brass gold
plated,engraving enamel velvet) |
There are two sets of armills in
the Jewel House. The enameled set was made for King Charles II but was
not used. Sir Robert Dyner, who made the Golden Spurs, also made the
original pair of gold bracelets from an
ancient pattern. On them are enameled emblems of the
three kingdoms of France. They are lined with crimson velvet and have
a Tudor Rose clasp. The engraved gold pair was made in 1953 for Queen
Elizabeth II as a gift from the nations of the Commonwealth. Their use
in the coronation ceremony symbolizes sincerity and wisdom.
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The Sovereign's Orb
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(recreation brass gold plated
pearls colored stones) |
A golden sphere six inches in diameter surmounted by
a large amethyst to which a cross is affixed; it symbolizes the
domination of Christianity over the world. It is richly gemmed and is
placed only in the hand of the actual Sovereign of the realm. It too
was made in 1661 for King Charles II. At the accession of Queen Mary
II and King William III, because they were crowned and ruled
conjointly, a second orb, somewhat smaller was made. |
The Coronation Rings
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(recreation colored stones
crystals) |
The largest of the rings was made for King William
IV and has been used for every coronation except Queen Victoria's. The
centre of this ring contains a large sapphire. Lying over it in the
form of a cross are five rubies. Around the sapphire is a circle of
diamonds which represent the cross of St. George
Queen Victoria's ring was given to her by her
mother, the Duchess of Kent, and engraved with the words "Queen
Victoria's Coronation Ring 1838". It was specially made for her
because her tiny fingers could not retain the larger coronation ring.
Due to an error it was sized for her small finger but the presiding
Archbishop of Canterbury forced it onto her fourth finger. It took
much effort and over an hour to get it removed after the ceremony.
Victoria complained about the pain in her diary of the event.
Strangely an old tradition says that the tighter the ring the longer
the reign and this certainly seems to have been the case as Queen
Victoria reigned for 64 years, the longest of any English monarch.
The third ring with the red ruby was made for the
Queen's consort Adelaide in 1831. It is set with a fine ruby
surrounded by diamonds and has a bank of small rubies around the hoop.
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The Sceptre With The Cross
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(recreation brass gold plated
colored stones crystal enamel) |
Made for the coronation if King Charles II in 1661,
the royal sceptre with the cross symbolizes the Sovereign's temporal
power as the ruler of his or her people. It is held in the Sovereign's
right hand. It is about 36 inches long made of gold and surmounted by
a magnificent diamond-encrusted cross with an emerald in the centre.
Below the cross is a superb amethyst and below that is what is
believed to be the largest cut diamond in the world. This pear-shaped
brilliant is known as the Star of Africa, a huge piece weighing 530
carats. It is held in place by four gold clasps which can be opened
and the diamond removed when required to be worn as a pendant.
All the Stars of Africa were cut from a single stone
found in 1905 at the Premier Mine in South Africa. Uncut it weighed
3,106 carats. It was presented to Edward VII on his birthday in 1907
by the Transvaal Government. Since it was far too large to wear, it
was split. This delicate tasks was accomplished by Mr. J. Asscher of
Amsterdam. He spent nearly a year studying the stone before attempting
to split it. On the morning when he delivered the vital blow, he was
so unnerved that he fainted. Upon being revived and was shown that the
stone had fractured exactly along the lines that he had determined, he
promptly fainted again.
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The Sceptre With The Dove
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(recreation brass gold plated
colored stones crystals) |
This slender gold sceptre was also
made for the coronation of King Charles II. It is a rod of gold
measuring over three feet in length. At the top is an orb of gold with
a fillet around the centre, studded with diamonds. From this rises a
golden cross on which sits a white enameled dove with extended wings;
its eyes, beak, and feet are made of gold. This sceptre is held in the
Sovereign's left hand and symbolizes equity and mercy. |
The Golden Spurs
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(recreation brass gold plated
embroidery velvet) |
The Spurs of St. George, emblems of knighthood and
chivalry, were made for the coronation of King Charles II in 1661
under the direction of Sir Robert Dyner, modeled after a pair of
pre-13th century spurs disposed of under the Commonwealth. The straps
are of crimson velvet embroidered in gold. At one time they were
actually buckled on during the ceremony but now they are merely
touched to the Sovereign's heels. The spurs signify knighthood and
chivalry. |
St. Edward's Crown
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(recreation Nickel silver gold
plated colored stones crystal fur velvet)
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This is the most important of all the crown jewels.
The St. Edward's Crown represents the accession of the monarch at the
ceremony of the coronation. It
is of solid gold, contains some 440 precious and semi-precious stones
and weighs 2.25 kg. It was made for King Charles II by Sir Robert
Vyner and may contain remnants of earlier crowns. It is however
uncertain whether or not these crowns predate the period of Oliver
Cromwell, however it is probable that the lower half is one of three
old crowns held in Westminster Abbey before the Cromwellian
Commonwealth and it is possible that it may have belonged to King
Edward the Confessor. Until 1911, the stones were not left in the
crown after the coronation as they had only been rented from the court
jeweler. At the time of King George V, they were purchased and have
remained in their settings.
The Ermine trimmed velvet cap that is now an
integral part of any crown was originally a separate headpiece called
the Cap of Estate and was worn on occasion in lieu of the actual
crown. It was in the time of King Henry VII, father of Bluff King Hall
(Henry VIII) who took to wearing both the cap and the crown together
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The Imperial State Crown
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(recreation nickel silver gold
plated colored stones crystals fur velvet) |
The Imperial State Crown is the best known and
probably the most magnificent of all the Royal Regalia. Made in 1838
for the coronation of Queen Victoria. This crown was later modified
for the coronations of King George in 1937 and Queen Elizabeth in
1953. This crown is worn upon leaving Westminster Abbey, at great
state occasions, and at the state opening of Parliament.
The great red spinel set in the front cross is
called the Black Prince's Ruby. Pedro the Cruel of Castile after the
Battle of Najera in 1367 had "acquired" it from the King of
Granada who is said to have got it through rather shady dealings from
the Turkish empire.
Also in this crown is St. Edward's Sapphire, set in
the Maltese Cross on the monde. It was thought to have been worn by
Edward the Confessor and is said to have been removed from his tomb at
Westminster Abbey.
Immediately below the Black Prince's Ruby is the
Second Star of Africa, a piece of the Cullinan Diamond weighing 317.4
carats. It is the second largest diamond in the world. It was mounted
in the Imperial State Crown in 1908 at which time the Stewart Sapphire
weighing 104 carats was moved
to the rear of the crown. This sapphire has a long though obscure
history. When James II left England he took it to France where he is
said to have
carried it about in his pocket. It was passed down through the Stewart
family to Henry, Cardinal York, who sold it before his death to a
Venetian from whom it was purchased for George, Prince of Wales, later
George IV.
The four great pearls dropped from the arches are
traditionally said to have belonged to Elizabeth I, but there is no
confirmation of this. It is also possible that they may have belonged
to Mary, Queen of Scots, whose pearls were purchased by Elizabeth I
for 12,000 crowns.
The Imperial State Crown contains in addition, four
rubies, eleven emeralds, seventeen sapphires, 277 pearls, and over
3,000 diamonds.
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The Altar Ornamentation And Plates
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(recreation brass gold plated) |
Over the centuries many pieces have been added to
the display that magnifies and beautifies the coronation service. The
essentially religious nature of the coronation is nowhere more clearly
demonstrated than in the array of Communion Chalices and Pattens.
These are the vessels used to contain the Holy Wine and Bread at the
Communion Service. There are two chalices and three Pattens. They were
first used in 1661 at the coronation of King Charles II and later
re-engraved with the arms of King William and Queen Mary.
The Maundy Dish and the Fish Dishes today, are used
by the Queen when distributing alms on Maundy Thursday to selected
elderly persons. The number of recipients is governed by the age of
the monarch. These dishes, of continental origin, are of silver-gilt.
Originally the Freshwater Fish dish was used inland, while the
Saltwater Fish dish was used in Coastal cities.
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OTHER CROWNS AND IMPLEMENTS OF STATE
Queen Mary's Crown
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(recreation nickel silver
crystal fur velvet) |
Made for Princess Mary of Teck, wife of George V for
her coronation in 1911, this crown originally contained the Lesser
Stars of Africa, the pear-shaped stone in the upper cross weighing 95
carats while the square cut stone in the band weighs 63-5 carats. The
centre of the front Maltese Cross was originally set with the
Koh-i-noor Diamond, the Mountain of Light. A magnificent stone from
the empire of the Moguls of India. It presently weighs 107 carats, but
is said to have originally weighed over 1,000 carats. Its history,
very bloody indeed, can be traced back to 1526, when it was recorded
that Sultan Baber made a gift of the stone to his son Haumayun.
It was stated then that the stone had descended from
Sultan Al-el-Din in 1304. Shah Jehan gave it to his beloved Mumtaz
Mahal for whom the Taj Mahal was erected as a mausoleum. Because so
many men suffered great calamities and horrifying deaths while owners
of this stone, it was thought to be unlucky for a man to wear it. When
the British acquired the stone after the fall of Ranjit Singh and the
Sikh Empire in 1839, it was given to Queen Victoria, who wore it in a
bracelet. In 1937 these large stones were placed in a new Consort's
crown for Elizabeth, the present Queen Mother, and crystals were
replaced in Queen Mary's crown. No King of England has ever worn the
Koh-i-noor Diamond.
The third and fourth largest stones
of the Cullinan Diamond are also set in this Crown, but they have now
been replaced by crystals, and the diamonds have reverted to the
personal possession of the Queen. It is in the traditional style, set
in silver with a gold back.
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The Small Crown Of Queen Victoria
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(recreation Nickel silver gold
plated pearls crystals) |
A beautiful little crown of sterling
silver and gold set with diamonds it was made for Victoria in 1870 who
found the other Royal Crowns including the Imperial State Crown too
heavy and cumbersome for regular wear. She had this little gem mounted
in silver and gold (4.5 inches in diameter and weighing 113 g) made at
her own expense using diamonds from some older necklaces and pendants.
A bun hairstyle was required to wear the crown.
Queen Victoria appears to have preferred
this crown to all others as it appears on stamps and coins as well as
in many of her portraits, painted and
photographic. This crown remained among her possessions at Buckingham
Palace and only transferred to the Jewel House on orders of her great
grandson, George VI in 1937. |
The Crown And The Diadem Of Mary Of
Modena
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(recreation nickel silver gold
plated pearls crystal fur velvet) |
Both objects were made for the coronation of Mary
Beatrice of Modena, consort to James II, in 1685. When the crown first
made its appearance, it looked very different from today. It was
altered and set with the Black Prince's Ruby when Queen Mary II
adopted it as her State Crown. It was later refashioned for her sister
Queen Anne. The latter wore the crown in what is very much its present
form. It was also the State Crown for George I. As George II
apparently assumed as his state crown, the old Crown of State of
Charles II (with the Black Prince's Ruby reset in it), the Crown of
Mary of Modena became once again a Queen Consort's Crown. It was in
turn used by his wife Caroline of Anspach, Queen Charlotte, consort of
George III and probably by Queen Adelaide, consort of William IV.
The diadem was worn on Mary's way to the abbey and
the crown was worn on her return. The diadem, not being a crown, has
no arches and is in fact a broad gold circlet encrusted with diamonds,
the top edge being bordered with a row of large pearls. It is fitted
with a cap of purple velvet, bound at the rim with miniver.
Both the crown and the diadem are small (5 1/2
" diameter). They were worn on top of the head. Both have been worn by
several monarchs over the years but have not been used since the time
of Queen Adelaide.
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The Prince Of Wales Crowns
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(recreation nickel silver
gold plated fur velvet pearls) |
Single arched crowns of gold over a Cap of Estate,
the first was made in 1728 for Prince Frederick Louis, son of King
George II, and father of George III. This crown was used when he took
his seat in the House of Lords where it was placed on a cushion in
front of him. It was used subsequently in the same fashion, lastly by
King Edward VII when he was Prince of Wales. It has never been used
since.
The second was made for George V in 1901 and was
also used by Edward VIII, later Duke of Windsor. He took this crown
when he abdicated in 1936 and it was only returned to the Jewel House
after his death.
It is interesting to note that a Prince's crown only
has one arch whereas a ruling sovereign's crown has two arches. Only
an emperor or empress may have four arches, such as Queen Mary's or
the Imperial Crown of India.
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The 1820 Diadem
(recreation nickel silver gold
plated crystals pearls)
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The Diamond Diadem was made for King George IV to
wear with his Cap of State at his Coronation in 1821. Today, it is
better known as the one worn by the Queen when depicted on bank notes,
coins, stamps and worn by Her Majesty for the drive to the State
Opening of Parliament.
The Diadem was also used by Queen Victoria and
is the one depicted on the stamps from her reign. The Diadem is
composed of four diamond pave set crosses-patee interspersed with four
bouquets of rose, shamrock and thistle, representing the flower
emblems of the United Kingdom. There are a total of 1,333 diamonds
weighing 325.75 carats and 169 pearls.
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